Bach Bibliography
Search Result - Ordered Chronologically
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Author : W. G.
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TypeListAuthor: Title, Series, Vol/No (Year/Month/Date of Publication), PagesStatus
1. W. G.:   Hullah's concerts -- Bach -- Handel -- Gluck -- Beethoven -- The opera. MessageBird 2/43 NS (1 May 1851), 65-66
2. Gounod, Charles; Nachèz, Tivadar; Barlow, George (arr.):   The Crown of Glory, Sacred Song, Founded on a Prelude of J. S. Bach's in C minor, (1890), 11p + 2 St
3. Allt, W. Greenhouse:   The organ and its music from medieval times to Johann Sebastian Bach. diss. (1930)
4. Leeuw, Gerardus van der:   Bach's Mattheuspassion. (1937), 90p
5. Horst, Anton van der; Leeuw, Gerardus van der:   Bach's hoogmis. (c 1938), 107p
6. Shaw, Geoffrey (arr.):   BIST DU BEI MIR. From the Anna Magdalena Book of J. S. Bach. (1941), 5p
7. Leeuw, Gerardus van der:   Bach's Johannes Passion. (1946), 70p
8. Leeuw, Gerardus van der:   Matthaeuspassion-Uitvoeringen. MensMelodie 3 (1948), 138-140
9. Chubow, Georgij [Chubov, Georgij]:   Bach i wspólczesnosc. Muzyka 1/6 (1950), 42-52
10. Chubow, Georgij:   Bach i wspolczesnosc. [ce]JanSebastianBach (1951), 41-61
11. Crankshaw, Geoffrey:   Bach's secular cantatas. MonMRec 81/923 (Jan 1951), 9-13
12. Marigold, W. G.:   J. S. Bach and the Luthewran Liturgy of His Time. MOpinion 79/947 (Aug 1956), 673, 675
13. Buelow, George J.:   Johann David Heinichen, 'Der General-Bass in der Composition': a Critical Study with Annotated Translation of Selected Chapters. diss. (1961)
14. Buelow, George J.:   The Thorough-Bass in Baroque Music. AmerMTeacher 11/4 (Mar-Apr 1962), 20-21, 36-37
15. Crankshaw, Geoffrey:   Bright Bach. [Bach-Choir London]. MMusicians 10/ 9 (May 1962), 43
16. Crankshaw, Geoffrey:   Tilford Bach. MMusicians 11/11 (Jul 1963), 6-7
17. Buelow, George J. (ed.):   Thorough-Bass Accompaniment According to Johann David Heinichen. (1966), xiv, 316p
18. Buelow, George J.:   The 'Loci Topici' and Affect in late baroque Music: Heinichen's practical Demonstration. MReview 27/3 (Aug 1966), 161-176
19. Marigold, W. Gordon:   The preludes and fugues of J.L. Krebs. MOpinion 90/1074 (Mar 1967), 337
20. Marigold, W. Gordon:   The Organs at the Marienkirche at Luebeck. Diapason 61/1:721 (Dec 1969), 25
21. Crankshaw, Geoffrey:   20th-century Bach. RecRecording 12 (1969), 24-25
22. Buelow, George J.:   Symposium on 17th Century Music Theory: Germany. JMTheory 16/1-2 (Spring-Winter 1972), 36-49
23. Buelow, George J.:   Music, Rhetoric, and the concept of the Affections: A selective bibliography. Notes 30/2 (Dec 1973), 250-259
24. Buelow, George J.:   In Defence of J. A. Scheibe against J. S. Bach. ProceedRMA 101 (1974-75), 85-100
25. Buelow, George J.:   A Study in Baroque Performing Practice. MTimes 120/1638 (Aug 1979), 625, 638-639
26. Buelow, George J.:   Symbol and structure in the 'Kyrie' of Bach's B-minor Mass. FestschriftSer 4 (1981), 21-41
27. Buelow, George J.:   Johann Mattheson and the invention of the Affektenlehre. [ce]NewMatthesonStudies (1983), 393-407
28. Buelow, George J.; Marx, Hans Joachim (eds.):   New Mattheson Studies. [ce]NewMatthesonStudies (1983), xiv, 495p
29. Pantijelew, Grigorij [Pantijelev]:   Johann Sebastian Bachs Briefe an Georg Erdmann. Nebst Beiträgen zur Lebensgeschichte von Bachs Jugendfreund. BachJb 71 (1985), 83-97
30. Marigold, W. Gordon:   Organ and church music activity in Munich during the European Year of Music. Diapason 77/ 8:921 (Aug 1986), 13-16
31. Buelow, George J. (ed.):   Thorough-Bass Accompaniment According to Johann David Heinichen. StudMcol 84 (1986), xvi, 462p
32. Pantijelew, Grigorij [Pantijelev]:   Die neueste Bach-Forschung in der UdSSR. BeitrMw 29/4 (1987), 318-323
33. Buelow, George J.:   Expressivity in the accompanied recitatives of Bach's cantatas. BachStud 1 (1989), 18-35
34. Buelow, George J.:   A Bach Borrowing by Gluck: Another Frontier. Bach 22/1 (Spring-Summer 1991), 43-61
35. Leeuw, Gerardus van der (ed.):   De necrologie van Johann Sebastian Bach: uit Mizler's Musikalische Bibliothek, Leipzig 1754. (1992), 43p
36. Buelow, George J.:   Music and society in the late Baroque era. ManM 4 (1993), 1-38
37. Buelow, George J.:   Dresden in the age of absolutism. ManM 4 (1993), 216-229
38. Buelow, George J. (ed.):   The late Baroque era: from the 1680s to 1740. ManM 4 (1993), xii, 521p
39. Buelow, George J.:   A Bach Borrowing by Gluck: Another Frontier. FestschriftSer 13 (1994), 187-203
40. Lang, Paul Henry; Mann, Alfred; Buelow, George J. (eds.):   Musicology and performance. [ce]MusicologyPerformance (1997), xii, 254p
41. Leeuw, Gerardus van der:   Bachs Matthaeus- en Johannespassion. Met de complete teksten en hun vertaling. (2000), 173p
42. Crankshaw, Geoffrey:   Angela Hewitt at the Wigmore. MOpinion 123/1421 (Spring 2000)
43. Crankshaw, Geoffrey:   Andras Schiff in the Wigmore. MOpinion 123/1421 (Spring 2000)
44. Crankshaw, Geoffrey:   Johann Sebastian Bach's quarter millennium. MOpinion 123/1421 (Spring 2000), 142-143
45. Crankshaw, Geoffrey:   Ursula Dutschler plays Bach. MOpinion 123/1422 (Summer 2000)
46. Crankshaw, Geoffrey:   Emma Kirkby & the Florilegium Ensemble. MOpinion 123/1422 (Summer 2000)
47. Bülow, Gert von:   Johann Sebastian Bach: Suites a Violoncello solo senza Basso--Gedanken zur Interpretation der fünften Suite c-moll BWV 1011. (2001), 44-56
48. Mann, Alfred; Buelow, George J.:   A Brief History of the American Bach Society. AmerBachSocNL (Fall 2001), 1, 10-11
49. Crankshaw, Geoffrey:   Angela Hewitt at the Wigmore Hall. MOpinion 124/1425 (Jun 2001)
50. Buelow, George J.:   In Defence of J. A. Scheibe against J. S. Bach. [ce]BaroqueComposers (2011), 87-102
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